Reading the title of "Desperately Seeking Paul McCartney," you get a strong hint that this might not be a fan tribute. The film, which won the audience favorite award at the 2008 Mockfest Film Festival in Hollywood, is a documentary about how an obscure event still reverberates some 40 years after the fact.
In 1965, Ruth Anson, then an attractive young reporter for a local Los Angeles TV station, covered the arrival of the Beatles in the city. When she asked Paul McCartney if he had plans for marriage, his answer, caught on film and shown several times in the DVD, was "Only if you'll marry me." The words stuck with her. Forty years later, Anson, now Ruth Anson-Sowby, attempts to reconnect with the event and experience closure by getting in touch with McCartney. A filmmaker, Marc Cushman, decides to take on the project of making a documentary about her quest. When things don't work out as initially planned, it becomes a reality-TV project, and with it comes little regard for the feelings of Sowby, much to the dismay of some of her family and friends. Finally, Cushman decides the group should connect with McCartney at the Grammy Awards. The ups and downs of preparations, along with the efforts to even see Paul McCartney at the event, form the almost-comic climax of the film. There is plenty of vintage footage of Sowby interviewing celebrities here, including the original McCartney footage, plus others, including Ronald Reagan, Bob Hope and George Murphy. The McCartney footage is run several times. It is heard in the film the makers had to pay a large sum to license the footage and they use it often. Much of the time, reality TV goes for cheap entertainment at the participants' expense. That's the bottom line here. This is not a celebration of the Beatles, but like much of reality TV, this documentary of one woman's dream is a sad song that doesn't get better. (Bonus features include twelve Beatle-like songs.)
APPLE CORPS LTD., CIRQUE DU SOLEIL AND EMI MUSIC ANNOUNCE THE GLOBAL DVD RELEASE OF 'ALL TOGETHER NOW' ON JUNE 24
Feature-Length Documentary Chronicles The Making Of The Beatles' "LOVE" by Cirque du Soleil
London, England - April 16, 2008 - On June 24, 2008 Apple Corps Ltd./Cirque du Soleil will release the feature-length documentary 'All Together Now' on DVD, which will be marketed and distributed worldwide by EMI Music. The film details the story behind the unique partnership between The Beatles and Cirque du Soleil that resulted in the creation and launch of "LOVE," the stage production still wowing audiences at The Mirage in Las Vegas, and the double Grammy-winning album of the same name. The film is dedicated to the memory of Neil Aspinall, an Executive Producer of the DVD.
The DVD's total running time is 122 minutes, including the 84-minute documentary film and bonus features. The film and extras are presented in DTS & Dolby Digital 5.1 Surround and Dolby Digital Stereo.
'All Together Now' faithfully recounts how the "LOVE" project came into being, borne from the personal friendship between George Harrison and Cirque du Soleil founder Guy Laliberte. George saw how the twin talents of Cirque's artistry and The Beatles' music could be fused into something new and totally original.
The director, Adrian Wills, records early meetings between the Cirque & Apple Corps Ltd. creative teams, as well as contributions from Sir Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison discussing how The Beatles' music can be used in a different way. We hear about the decision to utilize the combined talents of Sir George Martin and his son Giles Martin to produce what became a 90-minute soundscape created from The Beatles' multi-track recordings and how this new audio adventure was being quietly worked on in the famous Abbey Road Studios in London, England whilst the first creative ideas for the show were being formulated in Montreal, Canada.
These early stages of the project were all filmed, as were the first rehearsals at the Mirage Hotel theatre in Las Vegas, which was completely rebuilt with a one-of-a-kind sound system and complex round staging to house the "LOVE" show. George and Giles Martin, the show's Musical Directors, were involved every step of the way with the remarkable Cirque du Soleil creative team, performers and backroom staff.
It wasn't all "plain-sailing" and there has been no attempt to disguise some of the disagreements that took place along the way regarding how some of the songs would be portrayed visually. These creative differences, a necessary part of the overall process of bringing "LOVE" to its most vibrant life, illustrate the participants' love and respect for the music and vision of The Beatles.
In addition to their roles within the main feature, George and Giles Martin, along with engineer Paul Hicks, also pop up in another piece titled "Changing The Music" which reveals in fascinating depth how the music was created and the challenges they faced. They explain how they sourced some of the individual instruments and effects and how they were encouraged to experiment.
The 'All Together Now' documentary and bonus features provide a fascinating insight into the creative skills and passion that went into making this project a groundbreaking critical and commercial success.
DVD contents 'All Together Now' documentary (84:00) Bonus Features: - "Changing The Music" (22:00): A behind-the scenes look at the decision-making process for the "LOVE" concept and music production. - "Music In The Theatre" (07:00): A look at the process of creating the "LOVE" show's unique audio design. - "Making 'LOVE'" (09:00): A backstage pass to explore the design of "LOVE," including the art direction, costumes, props, screen imagery and the use of The Beatles' voices in the "LOVE" stage production and its soundtrack .
DVD technical details 1 x DVD-9 PAL and NTSC All regions
If Dick Cavett was the hip big brother of talk show hosts, Tom Snyder was the fuddy duddy uncle who you had to explain everything to. That's quite evident in "The Tomorrow Show With Tom Snyder: John Paul Tom & Ringo", an interesting new collection of vintage interviews of three of the Beatles available from Shout Factory on April 1.
The best of the interviews is clearly the one with John Lennon, which was first shown in 1975 and replayed the night after Lennon was killed with new guests added. It's the replay that's included here. If Snyder comes across a little, let's say, naive, John, in a very accomodating mood, sets Snyder straight. "Were the Beatles before the groupies?", Snyder asks at one point.
The replay includes comments from a still shocked "Double Fantasy" producer Jack Douglas and rock critic Lisa Robinson.
That's not the case with the Paul McCartney interview, originally aired on Dec. 20, 1979. It's Paul and Linda, first, who are then joined by Denny Laine and Laurence Juber via satellite discussing Wings before a show at London's Rainbow Theatre. The interview gets off to a horrible start as Snyder makes an impatient Paul and Linda wait (actually telling Paul to "hang on a minute ... we're not ready yet") for an incredibly long introduction (including a boring technical update of the equipment being used for the interview) and a playing of the "Spin It On" music video. Paul and Linda manage to stay polite, though various comments through the interview give evidence that they did not enjoy the experience. No surprise: Few of the questions rise above the pedestrian level. Despite the success being enjoyed by Wings, Snyder even asks about the possibility of a Beatles reunion. When Juber and Laine join the interview, Snyder has to ask the two to introduce themselves because he clearly doesn't know who is who.
The interview with Ringo, recorded in Los Angeles and first aired Nov. 25, 1981, is pretty run of the mill for Ringo, who seems to treat it like nothing special. It really isn't. Snyder starts off asking the meaning of the title of Ringo's then-current album, "Stop and Smell the Roses" after years of what Snyder calls "turmoil, frenzy and confusion," then following up with how Ringo likes being 40. Snyder also discusses John Lennon, who died less than a year before the interview was taped. Barbara Bach also is interviewed, and the couple discuss their apperances in the movie "Caveman."
The quality of the Lennon and Ringo interviews are excellent, especially the Lennon, which has been a favorite among collectors in copies taken from a long out-of-print video release. The McCartney interview, though not as sharp in quality as the other two, seems to have come from a decent video master. Still, it's surprising the quality isn't better.
Despite the reservations, "The Tomorrow Show With Tom Snyder: John Paul Tom & Ringo" is a set worth getting just for the Lennon interview alone. It's good to see this interview, one of Lennon's best, available again. The McCartney and Starr interviews are worth seeing for archival purposes only, but we all have some of that stuff in our collections, don't we?
Composing the Beatles Songbook: Lennon & McCartney 1957-1965: It's rare when a Beatles DVD that tries to summarize their career in any way makes any kind of sense. The store shelves are filled with slap-dash DVDs of the same old Beatle clips with shallow histories of the Fab Four. Composing the Beatles Songbook: Lennon & McCartney 1957-1965, to be released March 18 in the U.S., is a very rare and welcome exception. The 80-minute film is an intelligent (for a change) roundtable discussion of the Lennon and McCartney partnership by a number of well-known rock musicians, journalists and authors and broadcasters. The fact some of them have strong Beatle connections gives the project even more credibility. Those on board include Klaus Voorman, who drew the "Revolver" cover, Barry Miles, co-author of Paul McCartney's biography and Maureen Cleave, the journalist to whom Lennon uttered the infamous quote comparing the Beatles and Jesus, and broadcaster Paul Gambaccini, who has interviewed Paul McCartney for an official audio interview released by Columbia Records when Paul was on that label. Also on the disc are veteran journalist Robert Christgau (Village Voice), Anthony DeCurtis (Rolling Stone), authors Johnny Rogan, Pete Doggett, Steve Turner and Nigel Williamson. The group analyzes the development of Lennon and McCartney as songwriters. The disc includes clips from "The Ed Sullivan Show," The Royal Variety Performance and other appearances, plus there are clips of the Rolling Stones, the Byrds and Bob Dylan. Any discussion of Lennon and McCartney is, of course, subjective, but we think this disc will provoke a lot of discussion on its own. The disc includes extras with extended interviews, biographies and a Beyond DVD section. Don't miss this.
The Beatles were quite a world traveling bunch even before they conquered the musical world in 1964. A series of DVDs by Artsmagic retraces those footsteps and gets fans back to where the Beatles once belonged. The Beatles - Liverpool (Two-Disc Edition),The Beatles London,The Beatles, Hamburg and the Hamburg Sound and John Lennon's New York - A Magical History Tour all focus on Beatles sites in their home country, in Germany where they gained musical experience away from home, and in New York City, where John Lennon spent the final years of his life. Each of the discs features narration by Beatle fans and historians and guest appearances by Beatles associates. "The Beatles - Liverpool (Two-Disc Edition)," hosted by Liverpool Beatle expert Spencer Leigh and Beatle historian Ray O'Brien, takes you to well-known and little known places in the Beatles hometown and is a pure delight. Along the way, they meet up with Bill Harry, editor of the influential newspaper Mersey Beat, which covered the Beatles early days in print, Allan Williams, better known as the man who gave the Beatles away and Kingsize Taylor, who performed on a Hamburg bill with the band. Harry and Williams have been interviewed numerous times for Beatle history projects, but their stories have an added charm here when coupled with seeing the actual places the Beatles spent their rise to fame. (By the way, all titles reviewed here have been released in two versions, a single "concise" version and a longer expanded. If you're a diehard Beatles fan, go for the longer versions. They're well worth the small extra cost.) Leigh also hosts "The Beatles, Hamburg and the Hamburg Sound," a special look at the Beatles' sites in Hamburg and their link to British rock 'n' roll. Sites visited include the Indra Club, the Star Club and the Kaiserkeller. The trip concludes with a visit by Kingsize Taylor, now a resident of Hamburg. In similar fashion, "The Beatles London," takes you around various Beatle-related sites in the British capitol. It's hosted by Richard Porter, whose daily Beatle walking tours take tourists on a magical mystery tour that occasionally have been known to encounter some well-known people. Here, Porter takes viewers to Abbey Road, Decca Studios, where they tried (and failed) to get a pre-EMI record contract, and a few of their earlier homes. He's joined by a host of Beatle experts including Bill Harry, author Keith Badman and special guest Chris Dreja of the Yardbirds. Having led the walking tours, Porter is quite knowledgeable and uses that expertise to guide viewers on the DVD. Lovers of Beatle minutia will love the little-known facts that Porter and friends discuss. "John Lennon's New York - A Magical History Tour" takes a special trip (over three hours of original footage) around the places in his life that were important to John Lennon during his years in the Big Apple. The Dakota, of course, is included, as is Strawberry Fields in Central Park and the Statue of Liberty, plus many lesser known places. Your tour guides are Trina Yannicos, editor of Daytrippin', and Susan Ryan, editor of the fan fiction webzine Rooftop Sessions. Their guests include photographers Bob Gruen and Allen Tannenbaum, John's Japanese instructor Tamiko Steinberg and musician David Peel, whose interview shows him to be every bit the unique person seen in his music. Yannicos, in an email to us, commented on the interviews:
Yes, David Peel is quite eccentric. But once you get past that, you see he is a really sincere, nice person and you can see why John and Yoko were friends with him in the early 70s. All the interviews were fascinating to me. I learned a lot from speaking with each person. The one that stood out was with Tamiko Steinberg. She is a hidden treasure! Here is someone who spent eight hours a day with John Lennon for two straight months. She got to know him quite well and she tells some great stories about her experiences with him.
To sum it up, these are fascinating DVDs. If you've dreamed of getting to Liverpool, London, Hamburg or New York and touring Beatle sites, this is a good way to plan your trip or see what you'll never get to.
Bob Dylan - Don't Look Back (1965 Tour Deluxe Edition): Viewing Bob Dylan's "Don't Look Back" now one has to wonder how it ever got made? Dylan lived in a world of his own. So how filmmaker D.A. Pennebaker managed to get full access is a miracle. The real miracle, however, is viewing "Don't Look Back," a vivid chronicle of the singer's 1965 British tour and one of the most stunning rock documentaries ever and now available in a deluxe expanded two-disc set. Dylan's music is, of course, the focus, but the camera's eye also focuses in on Dylan's world. Especially riveting are his encounters with the media and the Establishment. Both are clearly nervous about approaching Dylan, clearly not knowing what to expect and the singer plays on their apprehension. In one memorable scene, Dylan takes a Time magazine interviewer named Horace Judson (and the media as a whole) to task.
"'Cause you know I've never been in Time magazine and yet this hall's filled twice, you know, and I've never been in Time Magazine. I don't need Time Magazine ... and I don't think I'm a folk singer. You'll probably call me a folk singer, but, you know, the other people know better 'cause the people, you know, that buy my records, listen to me, don't necessarily buy Time Magazine. You know the audience that subscribe to Time Magazine? The people that work during the day and read it small, right? And it's concise and there's pictures in it."
Interestingly enough, Pennebacker, in an interview with Time this year, says Dylan isn't being as mean-spirited with Judson as it appeared. In the interview, Pennebacker says,
"I have the story [Judson] wrote. He wrote a very good piece on Dylan. I thought Dylan was kind of nice in the end. He made jokes out of it. When I show the film, especially to kids, they want to see that as someone thrashing TIME. But it isn't that. He's thrashing a whole system of media that people had been thrashing for a long time. I never thought of it as mean-spirited.
This new release includes a newly remastered version of the original DVD from the original single-disc release that contains the film, commentary by Pennebacker and Dylan tour manager Bob Neuwirth, additional audio tracks, an alternate version of the "Subterranean Homesick Blues" video and the theatrical trailer and adds a second disc called "Bob Dylan '65 Revisited," that features roughly an hour of outtakes (mostly music) from the original film with commentary from Pennebacker and Neuwirth. In addition, the set includes a 168 page companion book, that was originally released in the late '60s, of pictures and dialogue from the film , plus a engaging flip book of the "Subterranean Homesick Blues" video sequence. It's a trip back in time worth taking. Short takes: While we're on the subject of reissued rock films, we'll mention Don't Knock the Rock / Rock Around the Clock and Don't Knock the Twist / Twist Around the Clock, two two-fer film reissues of four vintage rock films that Sony has just released. The films are the standard rock films of the era with the usual plots about the music being persecuted and the usual remedy of "Let's put on a show!" They're basically just excuses for the music they contain, as good as some of that music is. But Sony gets major demerits for their sloppy treatment of the DVDs. Neither set contains chapter links from the main menu and the chapter links contained in the films don't link up with all the music performances. To find Little Richard's performances in "Don't Knock the Rock," for example, you'll have to manually scan through the film. As much as we're glad to have these again and give them our recommendation, we have to say they deserved a lot better treatment in putting them to disc than what they received. Can we talk?: If you'd like to talk more about the kind of discs we review here, join our DVDWatch Yahoo group.
"The U.S. Vs. John Lennon" (Lionsgate): Everyone knows the story of John Lennon and the Beatles. But it's less known, especially to younger audiences, how Lennon was the focus of FBI investigations during the Vietnam War Era because of the Nixon Administration's paranoia against protesters. "The U.S. Vs. John Lennon" , which goes on sale Feb. 13, is a frightening reminder of that. The 96 minute documentary looks at how John Lennon changed from a cuddly Beatle to an outspoken protester of the Vietnam War and the Nixon Administration policies. It also recounts how the government used the controversy to hold the U.S. citizenship Lennon hoped for in hostage. It was indeed a scary time. As Yoko recounts early in the film, while the Lennons were on a Michigan stage playing a benefit concert to help free John Sinclair, who was busted for possession of a small amount of marijuana, the FBI was in the audience taking down the lyrics to his songs. The film recounts how the government spied on him through wiretaps. The hatred and pervasity of the Nixon Administration was chilling. In one of the bonus features, Nixon Administration member G. Gordon Liddy recalls how he ordered his children planning to attend a public event not to sing Lennon's song "Imagine" when it was played there. The DVD includes interviews with his widow, Yoko Ono Lennon, George McGovern, Bobby Seale, Gore Vidal, John Dean, author Ron Kovic, John Sinclair, Geraldo Rivera, Walter Cronkite and Mario Cuomo. It includes 10 clips of additional footage left out of the film. The most touching is a reading of the letter Yoko wrote to the New York State parole board requesting her husband's killer remain in jail. It's an emotional moment for Yoko, who manages to read the letter, but not without her voice quivering to the point of almost breaking. For anyone who lived through the '60s turmoil, the documentary brings back frightening reminders of the paranoia that swept the country. It also sends a message that the nation should have learned from its mistakes. Unfortunately, that doesn't seem to be the case thanks to the Bush Administration.